The Nasher Museum of Art at Duke University in Durham North Carolina
| Nasher Museum of Art | |
|---|---|
 | |
 | |
| General information | |
| Type | Art museum |
| Architectural style | Modern |
| Location | 2001 Campus Drive Central Campus, Duke University |
| Coordinates | 35°59′56.63″N 78°55′44.59″W / 35.9990639°Due north 78.9290528°W / 35.9990639; -78.9290528 (Nasher Museum of Fine art) Coordinates: 35°59′56.63″North 78°55′44.59″Westward / 35.9990639°N 78.9290528°W / 35.9990639; -78.9290528 (Nasher Museum of Art) |
| Named for | Raymond Nasher |
| Completed | 2005 |
| Opened | 1969 |
| Cost | $24 million |
| Blueprint and construction | |
| Architect | Rafael Viñoly |
| Website | |
| www | |
The Nasher Museum of Fine art (previously the Duke University Museum of Art) is the art museum of Duke University, and is located on Duke's campus in Durham, North Carolina, United States. The Nasher, along with Dartmouth's Hood Museum of Art and Princeton's Art Museum, has been recognized as a place that "raises the cultural bar" on college campuses.[1]
History [edit]
In 1936, art collector William Hayes Ackland wrote letters to three universities, attempting to find a place to bequest his collection to upon his death. Duke University President William Preston Few was receptive to this idea, and had plans drawn up for an art museum at Duke. Subsequently the decease of both Few and Ackland, Duke refused to accept the gift, for reasons still non disclosed.[2] Ackland'south estate had to posthumously discover a new location to build a museum, eventually creating the Ackland Art Museum.[iii]
In 1969, the university established the Duke Academy Museum of Art on Knuckles's East Campus with medieval fine art from the Ernest Brummer Collection.[4]
In the afterward twentieth century, at that place was a push to move the location of the museum to a more key location. Professors of phytology fought the plan considering the new location would disturb the "botanical study area," a field of plants.[5]
In the early twenty-first century, in part from a souvenir past alumnus Raymond Nasher, the museum became known as the Nasher Museum of Art and opened a new $24 million museum designed by architect Rafael Viñoly. Since its reopening, almanac attendance is nigh 100,000 visitors.
Mary D.B.T., great-granddaughter of Benjamin Newton Duke, blood brother of James Buchanan Duke, and James H. Semans were major contributors to the university art museum. Sarah Schroth, former Nancy Hanks Senior Curator, is the director of the museum.
Collection [edit]
The drove contains more than than thirteen,000 works of art, including works by Nina Chanel Abney, Ai Weiwei, John Akomfrah, Njideka Akunyili Crosby, Emma Amos (painter), Firelei Báez, Radcliffe Bailey, Maria Berrio, Sanford Biggers, Christian Boltanski, Mel Mentum, William Cordova, Marlene Dumas, Darío Escobar, Genevieve Gaignard, Jeffrey Gibson, Barkley L. Hendricks, Rashid Johnson, Taiyo Kimura, Christian Marclay, Kerry James Marshall, Zanele Muholi, Wangechi Mutu, Odili Donald Odita, Maia Cruz Palileo, Ebony Grand. Patterson, Dan Perjovschi, Michelangelo Pistoletto, Robin Rhode, Dario Robleto, Amy Sherald, Xaviera Simmons, Lorna Simpson, Jaune Quick-to-See Smith, Eve Sussman, Henry Taylor (artist), Alma Thomas, Hank Willis Thomas, Mickalene Thomas, Bob Thompson, Kara Walker, Nari Ward, Carrie Mae Weems, Kehinde Wiley, Fred Wilson and Lynette Yiadom Boakye. The museum is dedicated to presenting contemporary art from around the world, with item attending given to those who have been historically underrepresented. Founding manager Kimberly Rorschach left for Seattle Art Museum in November 2012.
The museum has a stiff collection of Pre-Columbian art (three,300 objects), with particularly meaning holdings of Mayan ceramics and Peruvian textiles.[6]
Selected exhibitions [edit]
Wangechi Mutu: A Fantastic Journeying
March 21, 2013 – July 21, 2013
The Nasher Museum of Fine art at Duke Academy has organized Wangechi Mutu'south first survey in the United States, the nigh comprehensive and innovative show nonetheless for this internationally renowned, multidisciplinary artist. Wangechi Mutu: A Fantastic Journey presents more than 50 works from the mid-1990s to the present, including collage, drawing, sculpture, installation and video. The exhibition features many of the artist's most iconic collages drawn from major international collections, rarely seen early on works and new creations. The exhibition also unveils the artist'south sketchbooks of intimate drawings that reveal her artistic process and inspirations, on public view for the first fourth dimension. Other new highlights include Mutu's kickoff-e'er animated video, The End of eating Everything, created in collaboration with Santigold, commissioned by the Nasher Museum. Mutu also will transform the gallery into an environmental installation, including a awe-inspiring wall cartoon, which allows visitors to immerse themselves in the creative person's work. The exhibition is curated by Trevor Schoonmaker, Chief Curator and Patsy R. and Raymond D. Nasher Curator of Contemporary Art.
The Record: Contemporary Art and Vinyl
September 2, 2010 – February 6, 2011
This is the showtime museum exhibition to explore the culture of vinyl records inside the history of contemporary art. Bringing together forty-one artists from around the earth who have worked with records every bit their field of study or medium, this groundbreaking exhibition examines the record's transformative power in the years from the 1960s to the present. Through audio work, sculpture, installation, drawing, painting, photography, video, and performance, The Record combines gimmicky art with outsider art, audio with visual, art with popular culture, and established artists with those exhibiting in a U.Southward. museum for the first time. The 41 artists in the exhibition include Laurie Anderson, David Byrne, Janet Cardiff, William Cordova, Jeroen Diepenmaat, Jasper Johns, Jack Goldstein, Taiyo Kimura, Ralph Lemon, Christian Marclay, Mingering Mike, Dave Muller, Vik Muniz, 9th Wonder, DJ Rekha, Robin Rhode, Dario Robleto, Ed Ruscha, Malick Sidibe, Xaviera Simmons, Su-Mei Tse, and Carrie Mae Weems. The exhibition is curated by Trevor Schoonmaker.
Barkley L. Hendricks: Nascency of the Cool
Feb 7, 2008 – July 13, 2008
This exhibit is the starting time career painting retrospective of renowned American artist Barkley Fifty. Hendricks. Born in 1945 in Philadelphia, Hendricks' unique work resides at the nexus of American realism and post-modernism, a space somewhere between portraitists Chuck Close and Alex Katz and pioneering black conceptualists David Hammons and Adrian Piper. He is all-time known for his stunning, life-sized portraits of people of color from the urban northeast. Cool, empowering and sometimes confrontational, Hendricks' artistic privileging of a culturally circuitous blackness body has paved the way for today'due south younger generation of artists who are deeply indebted to him. This exhibition of Hendricks' paintings includes work from 1964 to the nowadays. The exhibition will travel to the Studio Museum in Harlem, the Santa Monica Museum (Los Angeles,)the Pennsylvania Academy of Fine Arts in Philadelphia, and the Contemporary Arts Museum in Houston. There is a definitive full-color exhibition catalogue with over 160 reproductions, edited past the Nasher Museum's curator of gimmicky fine art Trevor Schoonmaker.
El Greco to Velazquez: Art during the Reign of Philip Three
August 21, 2008 – November 9, 2008
The Nasher Museum collaborated with the Museum of Fine Arts, Boston to present this groundbreaking exhibition – the first in the U.s. to focus on Castilian fine art of the menstruation between 1598 and 1621. The evidence examines a fascinating catamenia bookended by the ii giants of Spanish painting: the tardily works of El Greco and the early paintings of Velázquez. The exhibition is the culmination of 20 years of enquiry by Sarah Schroth, the Nasher Museum's senior curator.
This exhibition includes some 120 paintings, sculptures and decorative art pieces, representing twenty artists. The masters will exist seen in context with lesser-known artists working during this fourth dimension in Spain. The show volition join works of art from museums around the globe, some of which rarely travel outside of their countries, creating a unique opportunity for American audiences. Key loans from the Metropolitan Museum of Art, the Museo del Prado, the Kunsthistorisches Museum, Vienna, and the National Gallery of Art, among other institutions and private lenders, were secured.
References [edit]
- ^ Hannon, Kerry (2019-03-12). "Raising the Cultural Bar on Campuses". The New York Times. ISSN 0362-4331. Retrieved 2019-03-28 .
- ^ "Mr. Ackland'south Final Resting Identify". Ackland Fine art Museum . Retrieved 2019-03-28 .
- ^ "Mr. Ackland'due south Wills". Fourth dimension magazine. 1947-06-30. Archived from the original on May 24, 2009. Retrieved 2008-xi-30 .
- ^ "History". Nasher Museum of Fine art at Knuckles University . Retrieved 2019-03-28 .
- ^ "Duke'due south Museum and the Fine art of Compromise". The News and Observer. Oct vii, 1990. Retrieved March 28, 2019.
- ^ "Art of the Americas". Nasher Museum of Art. Retrieved 2015-05-27 .
External links [edit]
- Nasher Museum of Art website
- ArtDaily coverage of the Nasher's opening
perezwhistless1984.blogspot.com
Source: https://en.wikipedia.org/wiki/Nasher_Museum_of_Art
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